How We Build a Song – Part 1

May 26, 2010 by · Leave a Comment 


listen to this recording of “West Ganji” by Chicago Afrobeat Project

West Ganji 2

I am always saying, “Hold the Song.”  This is a great example of what I mean.

They Start off clapping.  The guitar comes in with a simple pattern that defines the framework – the pattern; the song.  Da – dada. Da – dada. Da – dada da da.  at :55 we get the drums coming in and the song builds. No one is adding more than enough.  They’re introducing the rest of the players, and filling it out without filling it up.  At 2:20, it starts to fill up! The initial pattern is no longer in the front but everyone is holding that pattern and playing it all over the place.  Then at 3:03, it’s back.

This song also follows a great story structure, too.  Ordinary world is that nice little intro pattern we were listening to.  Then the adventure builds!  New instruments show up, the plot thickens.  As it continues, we get the rest of the story, and finish with a great resolve.  We’ll get into that some other time….

Drum Practice Tip #3

May 24, 2010 by · 3 Comments 


Use both hands

Once you get comfortable playing a specific rhythm try starting with your other hand. Download a rhythm from the net and change it so it begins with your other hand. For instance, if a rhythm goes like this: Gun Go Do Pa change it to Dun Do Go Ta. Or better yet, try one of the free sample Hand Charts available on our website. There’s a left-hand and right-hand version for most of the rhythms. If you like these hand charts try using our Hand Charts book which includes many popular West African rhythms. Just place your hands where the pictures display the hands. Remember, if the hand icon is black it means Bass note (Gun or Dun), if a white hand it means Tone (Go or Do) and if the hand icon is red then it’s a slap (Pa or Ta). Practice the pattern (starting with your other hand) over and over again until you can do it without the hand chart. Then you’ll be able to play it with either hand and it will make practicing on your djembe more interesting. Your playing will improve as well; your other slaps, tones, and bass will be consistent with your main ones. If you want to push yourself even furthur try playing the complete rhythm only with your strong hand first and then try it with your other hand because when it really comes down to it, it doesn’t really matter how you play it.

Just play it,

Failla Drums

Drum Practice Tip #1

Drum Practice Tip #2

Drum Practice Tip #4

Drum Practice Tip #2

May 12, 2010 by · 3 Comments 

Build up your chops with Baba's Warmup!

(Click here for right-handed version)

A great thing to add to your practice routine is a warmup exercise. In Boise we use a popular version of Baba’s Warmup. You can find copies of this routine on the internet or you can download our Graphics version. We’ve included right-hand and left-hand versions in a PDF file. The idea is to play it through once with your strong hand then play it again with your other hand. You can even play it a third time alternating both hands. Play each line 4 times then move on to the next line and keep going until you get to the end. The PDF file is a FREE download and we don’t have a problem with you sharing this file with your drumming buddies. If you practice Baba’s warmup with friends try to make it sound like one drum by listening to others and playing tight. This is a lot of fun and will help build up your chops. Follow up this exercise with the rest of your practice routine everytime and before you know it you’ll be able to play it without a rhythm sheet. If you teach drumming try starting every class with Baba’s Warmup.

If you like this graphics format check out the other FREE samples available on our website. If you want more order a copy of our DRUMMIN’ BUDDIES Hand Charts Book. If you have any trouble try singing the patterns before playing them. If you’re still struggling check out our Animated Rhythms DVD (there’s even a FREE sample video file you can download). If you have any concerns, feedback or questions remember we’d love to hear from you via our contact form.

Drum On!

Failla Drums

Drum Practice Tip #1

Drum Practice Tip #3

Drum Practice Tip #4

Drum Practice Tip #1

May 11, 2010 by · 3 Comments 

Practice! That right, practice everyday. Did you know that Jerry Garcia wasn’t satisfied if he didn’t practice at least six hours a day? So the rumor goes anyway. The point is if you want to get better on your musical instrument (in this case it’s a djembe drum) you have to practice daily. And while it’s ok to just play anything on your drum you should push yourself to learn something specific. Learn a new rhythm, rudiments, or fills. If you have a drum teacher practice what they taught you and show them the next class. If you don’t have a teacher search the internet for djembe rhythms or order a copy of our DRUMMIN’ BUDDIES Hand Charts Book or Animated Rhythms DVD. These are all great ways to practice. If you can’t afford either of these items download one or all of our FREE Graphics Rhythm Sheets. A good friend from Chicago once said “If you don’t like how you play your instrument it’s because you’re not practicing.”  So practice. Everyday! Everyone will notice, especially you! Oh yeah, and Have fun!

Peace,

Failla Drums

Drum Practice Tip #2

Drum Practice Tip #3

Drum Practice Tip #4

DRUMMIN’ BUDDIES Animated Rhythms now available on Amazon

May 11, 2010 by · Leave a Comment 

Now you can order our Animated Rhythms on Amazon.com. Just type in keywords DRUMMIN’ BUDDIES or Animated Rhythms or both and you will find our DVD. Amazon will process the order and build the DVD on-demand. So now there are two ways to get the Animated Rhythms DVD, on Amazon or failladrums.com. Whichever you choose, after you’ve tried it, let us know what you think via our contact form on failladrums.com. We also welcome suggestions for improving our next addition. You can also provide a user review via Amazon’s website. We appreciate your business and look forward to hearing from you. Don’t forget to check our website periodically for hints and tips for improving your drumming skills. You’ll be amazed at how much your drumming skills will improve using the Animated Rhythms DVD for daily practice. Keep drumming and be happy.

Thanks,

Failla Drums

Story structured soloing technique

May 4, 2010 by · Leave a Comment 

Tonight’s class is gonna be about building a solo using the story structure based on the Hero’s Journey.  The journey goes like this:

  1. Ordinary World
  2. Call to Adventure
  3. Response to call
  4. Approaching the inner-most cave
  5. The Big Ordeal
  6. Resolution
  7. The Journey Home
  8. Improved World

Think of any good movie you’ve watched in the last 20 years.  Or your life in the last 7.  Things were just going along and something changed. You either refused the call or decided to give it a try.  One way or another, you’re on a path and things are never gonna be the same.  At some point, there is a challenge building. A dragon to slay, or a shadow to face.  By this time, you are committed. As well you should be, you are now in the belly of the whale. You need to fight for your life! After using all your deepest resources, you have finally triumphed! The dragon is slain.  Now you need to take the magic elixir the dragon was guarding and return to home, to share the wealth.  But the journey home may have some obstacles.  You will overcome, and arrive home again, improving the lives of all in your village.

So.  Making a solo outta this…. With 8 divisions, each step gets a 16 count; 2 full phrases of 1 & 2 & 3 & 4 & .  It seems a good amount of time to say your piece.

  1. Ordinary World – the song has been built. Every player is gently supporting the song with a simple, airy ride.  There should be lots of space….The  first soloist begins by holding their particular ‘ride’ pattern for 2 phrases, then adds a dramatic note or two to indicate
  2. the Call to Adventure.  This should stand out, but it is a call. It doesn’t need a big explanation. One good slap well placed somewhere in the ride to call attention to something changing.
  3. Response to call, or refusal.  You have 2 phrases to respond to the call. If they call is, for instance, a slap added to the ride in the 1st phrase, perhaps a couple slaps in the second phrase to indicate that you’re in….
  4. Approaching the inner-most cave.  This is the time to commit; to start building your phrase up with some rolls or fills. Let it happen. There is no turning back. You are about to face
  5. The Big Ordeal. All that wild unruly, polyrhythmic djembe cowboy rackatakatat that people often think of when they don’t know what we’re doing…. SPEAK YOUR TRUTH! You only have 2 phrases. Be brief, be brilliant and be done.
  6. then indicate the Resolution. This is a great place for space. Especially after a full and frothy splash of flying hands.
  7. The Journey Home needs to blend the lots with the little.  Get yourself situated back to  your original ride, but with a little something. This is
  8. Improved World. This is your ride with one sweet addition. Maybe a double stroke where you had a single in part one.

Knowing the structure means you don’t have to come up with a story.  You can and should if you have something in your head or heart or stomach that needs to be expressed. But the structure is pretty easy to follow. And change!  We’ll talk more about how it went after class tonight.

Failla Drums Now Offers Animated Rhythm Sheets for Djembe drummers.

May 4, 2010 by · Leave a Comment 

FOR IMMEDIATE RELEASE

(Boise, ID) – May 4, 2010 – It’s ideas like this that make you wonder “Why did it take so long for such a cool idea?”  Animated Rhythm Sheets seem to come to life compared to paper-based rhythm sheets. Try them once and you’ll agree that Animated Rhythm Sheets are a great way to practice playing a djembe drum. Insert the DVD, turn up the volume, pick a rhythm and play along. It’s that easy.

Boise, ID, Monday, April 12, 2010–What do you get when you combine West African rhythm sheets, a metronome, some drumming friends, and some other secret ingredients into a magic box that produces DVDs? Answer: The new DRUMMIN’ BUDDIES Animated Rhythm Sheets DVD from Failla Drums. West African Rhythms vol. 1 includes the following 18 four-minute animated rhythm sheets:

DJLOE, FANGA, FANKANI, GIDAMBA*, HIGHLIFE, KADAN*, KASSA, KUKU, LAMBA, LENGJEN*, MAKRU, MARAKADON*, MORIBAYASSA, SOFA, TORO, TIRIBA*, UHURU*, YANKADI

* 6/8 rhythms

Both beginners and drummers with a little experience can benefit from this innovative practice tool. Simply insert the DVD and begin playing along with a video rhythm sheet, that includes an animated time marker, multiple percussion  parts, and high quality audio designed to help drummers practice their parts within the context of the rhythm. Beginners might focus on playing a basic djembe part, whereas someone with experience can practice improvisations, or solos. Regardless, DRUMMIN’ BUDDIES Animated Rhythms can turn boring and ineffective practice routines into fun, quick, and effective daily practice sessions. Practicing a little everyday with animated rhythm sheets is an excellent  way to improve hand drumming techniques and the ability and confidence to play well with other drummers.

DRUMMIN’ BUDDIES Animated Rhythms DVD (West African Rhythms vol.1) can also be a valuable practice tool for dunun drummers. Each rhythm includes sanban/bell, kenkeni/bell, and dununba/bell parts that can be used to learn or improve these vital parts of the rhythmic ensemble.

Failla Drums is offering a free sample Animated Rhythm Sheet so drummers can experience the difference of animation. Not only do the rhythm sheets appear to come alive but the two measure loops are like a rhythmic playground allowing drummers to play rides, variations, fills, or solos, or combinations whenever and wherever they want.

For more information or to place an order or to get a free sample Animated Rhythm Sheet go to www.failladrums.com/Animated_Rhythms. Dealer inquiries welcome.

Failla Drums
1717 N. 13th St
Boise, ID 83702
www.failladrums.com

Contact: Luis Cubero, Product Mgr
(208) 585-1636